Showing posts with label Bill Miller Stories. Show all posts
Showing posts with label Bill Miller Stories. Show all posts

Thursday, January 04, 2018

Pier 35 at San Francisco

Bill Miller has just sent this gorgeous text and image: «After dinner chat on the Crystal Serenity: "As a child and then a teenager, my grandparents were very generous. They would take my brother & I on sea voyages," remembered one of our West Coast guests. "The first was over to Honolulu from San Francisco on the Lurline. The year was 1960. I still have a few me menus & ship's programs. And I have the printed passenger list. We returned on the Matsonia. It all seemed very luxurious back then. These Matson ships carried about 700 passengers each but they seemed very big at the time. I also specially remember sailing day from San Francisco – a band on deck played, crowds lined the deck and more crowds on the pierside and, as the whistles sounded, we tossed paper streamers. Departure was a special event!”»
Ainda não fui a São Francisco, mas é um dos portos na lista de futuras escalas. Esta fotografia, com os paquetes MARIPOSA e LURLINE nas cores da Matson Lines faz-me ter saudades das minhas antigas sessões visuais de barcologia nas estações marítimas à beira-Tejo há já uns bons anos. Foi cá no Tejo que conheci este MARIPOSA, com as cores da Pacific Far East Line e o urso durado na chaminé azul, depois de a Matson o ter vendido juntamente com o gémeo MONTEREY. Foi ainda no Tejo (e também no Funchal) que fotografei e me fartei de ver o ELLINIS da Chandris Lines, ex-LURLINE da Matson. Tudo isto se passou no século XX, e nada resta para além de muitas memórias, que o meu amigo Bill Miller nos trás de volta de forma magistral...
Texto e imagens /Text and images copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho, se descarregar imagens para uso pessoal sugere-se que contribua para a manutenção deste espaço fazendo um donativo via Paypal, sugerindo-se €1,00 por imagem retirada. Utilização comercial ou para fins lucrativos não permitida (ver coluna ao lado) / No piracy, please. If photos are downloaded for personal use we suggest that a small contribution via Paypal (€1,00 per image or more). Photos downloaded for commercial or other profit making uses are not allowed. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Monday, September 04, 2017

Memórias minhas e do Bill Miller

O meu Amigo Bill Miller partilha regularmente pequenas notas sobre os navios em que andou e outras reminiscência diversas, e esta sobre uma ida à California em 1971, fez-me recordar a presença de navios de passageiros norte-americanos no Tejo no final da década de 1960 e primeiros anos de 1970. Os navios de passageiros da American Export Line eram os que escalavam Lisboa nas suas viagens regulares de Nova Iorque para o Mediterrâneo, os gémeos INDEPENDENCE e CONSTITUTION e o ATLANTIC, mas em 1968-69 foram retirados do serviço e posteriormente vendidos ao grupo C. Y. Tung, de Hong Kong. Os gémeos ARGENTINA e BRASIL, da Moore McCormack Lines, e os navios das linhas do Pacífico, os gémeos MARIPOSA e MONTEREY, ambos da Pacific Far East Lines, e os "Presidentes" da American President Lines PRESIDENT WILSON, PRESIDENT CLEVELAND e PRESIDENT ROOSEVELT passaram também por Lisboa em longos cruzeiros nas fases finais das suas vidas úteis, o mesmo se podendo dizer do UNITED STATES que esteve em Lisboa em 1968. 
Bill Miller partilha connosco impressões de uma curta visita à Califórnia em 1971:

"MEMORY LANE: CALIFORNIA DREAMIN' 
In Feb 1971, we had a long weekend out to California ... I well remember those evocative horns going on a foggy night in San Francisco ...
We caught the PRESIDENT CLEVELAND for an overnight ride: Sailing from San Francisco at Noon; arriving San Pedro (LA) the next day at 11am ...As I recall, the ship was all gleaming lino, immaculate, very post-war modern in decor, great brass elevator doors, Emerson radios in the cabins ... and the simplicity of the old third class/economy space that was completely intact, but unlocked and no longer used ... 
At Long Beach, I also recall seeing the QUEEN MARY, then being renovated and having only one funnel -- the middle one -- and years later, in a photo, a friend quickly identified the ship as the SCYTHIA -- well, a very big SCYTHIA ..."
Texto e imagens /Text and images copyright Bill Miller & L.M.Correia. Favor não piratear. Respeite o meu trabalho, se descarregar imagens para uso pessoal sugere-se que contribua para a manutenção deste espaço fazendo um donativo via Paypal, sugerindo-se €1,00 por imagem retirada. Utilização comercial ou para fins lucrativos não permitida (ver coluna ao lado) / No piracy, please. If photos are downloaded for personal use we suggest that a small contribution via Paypal (€1,00 per image or more). Photos downloaded for commercial or other profit making uses are not allowed. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Saturday, July 15, 2017

Pintor de Marinha Stephen J. Card

Algumas das obras de Stephen Card: de cima para baixo, o cargueiro misto COTOPAXI, da Pacific Steam Navigation Comany, de Liverpool, os paquetes AMERICA e DUILIO e o cargueiro HOBART STAR, da Blue Star Line


Dois dos meus amigos do mundo dos navios e do mar e livros acerca desse universo que me diz tanto: William H. Miller e Stephen Card, apresentados aqui num diálogo ilustrado por algumas das obras de Stephen Card:
Recently, Bill Miller shared a photo of the German super liner Europa in a magnificent painting by Bermuda's Stephen Card.
Well, he was quick to respond: 
"A skeleton in the closet! This was one of my very early paintings... 1984. It is Number 8!!!!! 20 x 30 inches. Acrylics on canvas. Now 34 years later and 1,100 paintings, I think I am just now getting the hang of this painting 'stuff'. I wish I had gone to art school! I had two artists that helped along the way, Deryck Foster and Bill Muller. Two of the finest marine artists ever. On top of that I had to 'learn' about ocean liners. Always liners from early age, but it was in 1984 started to pay attention to detail and a lot of that came from many of your own books like the Dover books. I might have become a sail yacht painter, but I enjoyed the subject of liners much more. It has been a long voyage and I am still not even near the first port yet!"
Myself, I am just finishing a book about freighters of the '50s & '60s. Stephen has always been so generous. He has provided images of his numerous paintings. One of them, the attached Hobart Star of Britain's Blue Star Line, is included. As I sit here, I can see the mist that adds to the mood and even almost smell the sea salt. And I can feel the sense of determination: The 1956-built Hobart Star is heading home to London after a long voyage out to Australia & New Zealand. She's at​ top speed, her valuable cargoes of meat and wool yet to be delivered. Thank you, Stephen ... you keep these wonderful ships alive and in our memories. 
Conheço ambos há muitos anos como apreciador das obras respectivas. Tive o prazer de viajar de navio com o Stephen Card, sempre de "quarto" no Ocean Bar do Rotterdam. O Bill e eu encontrámos-nos pela primeira vez pessoalmente em 1983, em Portimão viajava ele no CANBERRA, e fomos ambos a Sines ver o INFANTE DOM HENRIQUE. Mais sobre o SJC aqui, e ainda aqui...
Texto e imagens /Text and images copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho, se descarregar imagens para uso pessoal sugere-se que contribua para a manutenção deste espaço fazendo um donativo via Paypal, sugerindo-se €1,00 por imagem retirada. Utilização comercial ou para fins lucrativos não permitida (ver coluna ao lado) / No piracy, please. If photos are downloaded for personal use we suggest that a small contribution via Paypal (€1,00 per image or more). Photos downloaded for commercial or other profit making uses are not allowed. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Thursday, February 09, 2017

Nos bastidores do QUEEN MARY


Bellboys a bordo do paquete QUEEN MARY, 1950
Bellboys aboard the QUEEN MARY, 1950
Last summer, 88-yr old Jack Gordon (from Liverpool and himself a former bellboy) told me: "To work for Cunard was prestige, great prestige. And it was a way to see faraway places like New York City. And, in war-battered Britain with rations, too few jobs and a lingering grayness, it was a job. On the Queen Mary, in 1951, I only earned the equivalent of six or seven dollars a week -- but not counting tips, which, if you were in first class, could be quite large."
Mais uma curta história de Bill Miller, recordando o ambiente humano a bordo dos famosos QUEENs da Cunard no período imediatamente após a Segunda Guerra Mundial, quando a Cunard dominou as linhas transatlânticas em termos comerciais e de prestígio.
Texto e imagens /Text and images copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Wednesday, October 05, 2016

The magnificent LEONARDO DA VINCI



Designed to replace the lost Italian Line's ANDREA DORIA in 1956, the LEONARDO DA VINCI of 1960 was probably the best looking of all modern classic post-WW2 passenger ships. As my friend Bill Miller wrote recently, "The Leonardo da Vinci was pure perfection. I think she was one of the most beautiful, stunningly handsome liners of her time. Everything about her exterior was perfect. She was a classic beauty."
I remember seeing the LEONARDO in her original black hull livery and she really looked superb. She visited Lisbon several times by the end of her short liner career, in 1975 to 1977 and as such I was able to photograph her several times in Lisbon. After a short spell of cruising from Florida to the Bahamas under the management of Costa Line, the LEONARDO was laid up in La Spezia, Italy, where she was lost by the most strange of ship fires. 
Conceived and built as a true flagship of state, an Italian prestige liner owned by the Government controlled Finmare Group, the LEONARDO DA VINCI was very expensive to run and always operated thanks to the generosity of Italian taxpayers until the scheme was discontinued in 1973-77. Although there was some interest to improve her for full time cruising, nothing happened and she was destroyed.
Texto e imagens /Text and images copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Sunday, August 07, 2016

Que futuro para o UNITED STATES?

Comentários à decisão da Crystal Cruises acerca do paquete UNITED STATES. Este grande navio de passageiros americano, que navegou apenas durante 17 anos, de 1952 a 1969, é um exemplo de  desperdício e um testemunho de uma época de grandes mudanças nos transportes de longo curso, quando a quase totalidade dos passageiros passaram a utilizar os meios aéreos, relegando a maior parte dos paquetes de linha para fins prematuros, como o desmantelamento. Alguns navios dessa época conseguiram segundas vidas no mercado de cruzeiros, como sucedeu com o FRANCE, grande rival do UNITED STATES, ou com o CANBERRA, mas dezenas de navios de passageiros foram pura e simplesmente desactivados e vendidos, o que aconteceu à frota norte americana, como à italiana ou à portuguesa, de que só sobreviveu o FUNCHAL. Os tempos mudaram.
O UNITED STATES foi retirado do serviço regular no Atlântico Norte e do serviço de cruzeiros de inverno em Novembro de 1969 e desde então tem estado sempre imobilizado, apesar de diversas tentativas no sentido de o transformar em navio de cruzeiros, ao longo de todos estes anos. As esperanças voltam a focar-se agora num possível aproveitamento para uso estático, como museu, por exemplo.

From cruise expert Anne Kalosh and her excellent Seatrade Insider column: "Though the historic ocean liner SS United States is structurally sound, the technical and commercial challenges of reviving it as a cruise ship are 'insurmountable,' Crystal Cruises said following a six-month feasibility study.
The luxury line poured more than $1m into the study and professional evaluation of 'America's Flagship,' convening a world-class team of engineers and experts.
'Unfortunately, the hurdles that would face us when trying to bring a 65-year-old vessel up to modern safety, design and international regulatory compliance have proven just too great to clear in both a technically and commercially responsible manner,' Crystal president and ceo Edie Rodriguez said.
She had personally championed the project, calling the SS United States 'an icon, and so much a part of the American fabric and history,'
As a show of support for the vessel, Crystal will be donating $350,000 to aid in the SS United States Conservancy’s ongoing mission to save the ship. The Conservancy intends to resume its pursuit of stationary redevelopment opportunities.
'Disappointed but not surprised,' is how maritime historian and prolific author Bill Miller, known as 'Mr. Ocean Liner,' reacted to the announcement.
Crystal's decision makes sense, he told Seatrade Cruise News, in light of 'endless problems' to convert/transform a decades-old liner into a modern, efficient, marketable cruise ship.
'The ship itself, still waiting, will no doubt have further reprieves and be a part of varied projects—from hotel-casino to floating power station,' Miller predicted.
Poignantly, he added: 'Her last master, the late Leroy Alexanderson, adored the ship, but suggested, as far back as the early '90s, that she be taken out to sea and gently allowed to go under—the perfect grave for an extraordinary ship.'
The SS United States Conservancy indicated it will not give up.
'While it has been determined that Crystal’s exciting vision for the ship would have required overcoming various technical hurdles and major changes to her historic design, the studies performed have confirmed the ship is structurally sound,' Conservancy executive director Susan Gibbs said. She added: 'America’s Flagship continues to hold enormous potential as a stationary mixed-use development and museum in New York or another urban waterfront setting. The SS United States Conservancy remains deeply committed to saving this unique and powerful symbol of the nation’s strength, history and innovation.'"
Texto editado e comentado /Text and comments by L.M.Correia. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Monday, September 21, 2015

BERMUDA ships by Bill Miller



Bill Miller talks about the Bermuda ships: "Bound for Bermuda: Fifty years ago, in September 1965, you could have booked a 6-day cruise from New York to Bermuda and back onboard the British-flag Furness Bermuda Line. The fare for an inside room down C Deck, with upper & lower bunks and a private shower & toilet was $145. Comparatively, the roomy Sandringham Suite on B Deck -- with bedroom, sitting room and full bathroom (including tub bath) -- was priced at $590 for the 6 days. In off season, in late fall and chilly winter, these fares dropped by as much as $20.
You'd sail from Pier 95, at West 55th Street along Manhattan's West Side, at 3pm on a Saturday afternoon. Sunday would be a sea day while Monday, Tuesday and Wednesday were spent docked in Bermuda. Thursday was another sea day before one of the Furness liners returned to New York at 8:30am on Friday mornings. Unheard of today, the ship then remained quietly overnight at Pier 95.
Bermuda-based, Stephen Card is one of the world's finest marine artists. One of his latest works is of two of his favorite ships, the Furness liners -- the impressive Queen of Bermuda (with three funnels) and the smaller, yacht-like Ocean Monarch (at dock). It is a superb painting, scheduled to be shown at Stephen's one-man show in Bermuda next June. Best congratulations to him!
The Queen carried up to 735 passengers; the Monarch was more limited with 440 beds. A staffmember once described the smaller Ocean Monarch as being like "the Alfred to Queen Victoria -- the consort!"
Painting by S. Card.
Texto / Text by Bill Miller Page copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Wednesday, November 05, 2014

Paquetes mistos...

Dos diversos tipos de navios que me foi dado conhecer com os anos, os navios mistos de passageiros e carga, os chamados Paquetes Mistos, estão no topo da lista de favoritos. Apesar de praticamente terem desaparecido, eram navios bonitos, esforçados e muito úteis. O meu amigo Bill Miller recorda neste texto dois antigos paquetes mistos ingleses da companhia Furness, os gémeos NOVA SCOTIA e NEWFOUNDLAND, que na década de 1960 trocaram o Atlântico Norte pela Austrália com os nomes George Anson e Francis Drake: 
"Sir Hamilton Sleigh, owner of the Australian 'Golden Fleece' petroleum brand and a shipping magnate in his own right, purchased two small cargo liners in 1962," recalled Dr John McMichan, ship's doctor with the Dominion-Far East Line. "Called the Nova Scotia and Newfoundland of Furness Withy Lines, these ships, built in 1947 by Vickers Armstrong in Newcastle, were well known on the Liverpool to Boston run. After extensive refurbishment in Glasgow, they were christened the Francis Drake and theGeorge Anson respectively, for the Dominion Navigation Company and entered service in 1963. Each was of 7,438 tons, capable of 16 knots and catering for 120 passengers in luxury and all while sailing from Australia to South East Asia & the Far East. Leather settees, sterling silver cutlery and bone china crockery set the tone for first class service provided by a staff mainly from Hong Kong. Entertainment was standard for the time – the Chief Radio Officer's color slide show, a reel-to-reel out of date movie courtesy of the Purser, coffee and petit fours after dinner in the Forward Lounge while the Dining Room was cleared for dancing or a spirited game of "horse racing". The company name was changed to the Dominion Far East Line in 1965 in conjunction with Jardine Matheson of Hong Kong. Each ship had an 8-week itinerary starting in Melbourne and stopping in Sydney, Brisbane, Townsville or Cairns, Manila, Hong Kong, Kobe, Yokohama, Keelung, Guam, Rabaul, Sydney and then back to Melbourne. This was a very successful and popular venture in the latter 1960's, but by '70s the effect of jet travel and a diminishing market forced the sale of the two ships to the breakers in Taiwan. The company struggled on, however, and acquired theMarco Polo, the former Brazilian Princesa Isabel, of 9,696 tons and carrying 375 passengers. After a refit in Glasgow, she sailed from Sydney to Asia and the Pacific before being sold off in 1978." ​The splendid painting attached is by the ever-brilliant Stephen Card.​
Texto e imagens /Text and images copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Monday, September 15, 2014

Bill Miller's Millergram is back...


The MILLERGRAM

by Bill Miller
September 15th 2014

​from aboard the Silver Whisper​




Note:  I plan to do a monthly version of the Millergram, but there's simply so much at the moment that a mid-month version is temporarily needed.   Soon, I'll cat
​ch up​...

BALTIC PORTS: Boom times! Cruising in the Baltic has reached its highest levels. St Petersburg, as an example and with a giant new cruise terminal called the Marine Facade, had a record day last June – 7 liners were in port in a single day: AIDAbella, Brilliance of the Seas, Legend of the Seas, Mein Schiff 2, MSC Orchestra, Seven Seas Voyager & Thomson Spirit. Busy tour guides – these 7 ships brought almost 16,000 visitors to the historic city. Meanwhile, Stockholm had its busiest year ever – with 274 cruise calls delivering just short of a half-million passengers. 
COSTA: Hiccups! Incidents involving cruise ships are very much part of their operations. The Costa Deliziosa suffered a blackout for several hours last spring while docked at Valencia in Spain. The new, but unfinishedQuantum of the Seas had a fire in June while getting her finishing touches at the Meyer Werft Shipyard. There was $100,000 in damages. Later in June, Holland America's Westerdam had to abruptly return to Seattle following a boiler room fire. Her cruise lasted but 1 hour before she had to return to port. ... The 121,000-grt Celebrity Silhouette had some disrupted European itineraries over the summer. The 2,850-bed ship had engine problems. ... And Aida's AIDAdiva was said to have been "attacked" by rockets while in Israeli waters in July.
CRUISE & MARITIME VOYAGES: Switching places! While the 43-year-old Discovery (ex-Island Venture/Island Princess/Hyundai Pungak/Platinum) will be retired next winter, she's being replaced by an even older ship, the chartered, the 66-year old Azores (ex-Stockholm/Volkerfreundschaft/Volker/Fridtjof Nansen/Italia Prima/Valtur Prima/Athena). Her first cruise for UK-based Cruise & Maritime will be a month-long jaunt to the Caribbean, sailing from Avonmouth, and later a special trip farther north in search of Total Solar Eclipse on March 20th. ... The aged Discovery is, it is reported, will be going for scrap (and following her twin sister, the Pacific (ex-Sea Venture/Pacific Princess), which was demolished last year out in Turkey). (Note by LMC: although AZORES hull is in fact 66 years old, the present cruise ship is much more modern, she was rebuilt in 1994 and only parts of the original hull were retained).
CUNARD: Facelift! Even four-year-old ships need to keep pace. Last May, the 2,100-passenger Queen Elizabeth was off to Hamburg – but without passengers & destined for the Blohm & Voss Shipyard there. New single cabins were added, the shopping centre extended, all carpeting & mattresses replaced and 1,200 flat-screen televisions installed. ... The 2007-built Queen Victoria is having a big refit this winter and the ten-year-old Queen Mary 2might well be having one later in 2015.
NORWEGIAN CRUISE LINES: Growing, growing, growing! As the 3rd biggest and busiest cruise line, NCL is expanding into the luxury market. Earlier this month, they acquired Prestige Cruise Holidays, which owns both Oceania & Regent-Seven Seas. This comes to an additional 8 cruise ships, each in the six-star category, in NCL's existing fleet of 14 large, mass-market liners.
ROYAL CARIBBEAN: Busy at work! The keel for the third 225,000-grt plus Oasis Class ship was laid in May at the STX Shipyard in St Nazaire and so construction is well underway. Hugely successful, a fourth of the class has now been ordered. Similar to the earlier Oasis of the Seas & Allure of the Seas, this new ship will carry 6,200 passengers & 2,800 crew. The cost is high and might just be the greatest yet for a cruise ship: $1.5 billion! ...
Meanwhile, in a whispered rumor from a RCI staff member, "It would not be surprising to see one of these Oasis class ships – the biggest cruise liners ever – go into Chinese cruise service."
RUSSIA: Well, bygone Russians! Polish-built in 1982 but for the Odessa-based Black Sea Shipping Company, the 9,800-grt Konstantin Simonovrenamed Russian owned, but hoisted the Cypriot flag in 1996 as theFrancesca. Between 2001-09, she sailed for Israel's Mano Cruises as The Iris, running Eastern Mediterranean cruises out of Haifa. Next stop: she was sold to Finland's Katarina Cruises, becoming the Kristina Katarina. But they pulled out of cruising just last year and so the ship was chartered out – being used as an accommodation ship in the Shetlands as the Ocean Endeavour. For the summer of 2015, she's returning to cruising, for operators called Adventure Canada, for Canadian Arctic & coast of Greenland cruising. ... A twin sister, the Lev Tolstoy, has resumed cruising as well. She spent last summer operating for Turkey's Apex Tours, running 3 & 4 night cruises from Kusadasi in Turkey to the Greek isles. She too has had a varied career – becoming the Cyrprus-flag Palmira in 1996, then sailed as The Jasmine from 2001-06 and then, in 2008, as the EasyCruise Life for the short-lived, no-frills EasyCruise operation. Thought to be used by other Greek operators, nothing materialized in recent years. Now, as theEasyCruise Life, she's busy with this Turkish charter.
SAGA CRUISES: Expanding! Operating the Saga Sapphire and Saga Pearl II, UK-based Saga is said to be "seriously" looking for a 3rd liner. Rumor while misty have always included buying Holland America's 750-passenger Prinsendam (ex-Royal Viking Sun/Seabourn Sun).
TORONTO: Lunch at 1! About 20 years ago, during a visit to Toronto, we wandered down to the waterfront and had lunch aboard XX. Berthed at the foot of Young Street, the small, xx-tonner had been a cruise ship in its previous life – sailing as the Rijeka-registered Jadran for the long-gone Jadrolinija on Adriatic coastal itineraries. She was one of three sister ships. A Toronto businessman known as Captain John bought her in the xx and then brought her (through the St Lawrence Seaway) to Toronto for use as a moored restaurant. Financially ailing in more recent years, however, she was seized recently by local authorities, the owners owing $3 ½ million in unpaid taxes. The next step: the 1958-built ship has gone to the auction block and been sold for $33,000 to other local buyers, but who plan to scrap it.
SS UNITED STATES: Updated rumors, plans & schemes continue! In November, the super liner United States will have been laid up & idle for 45 years, far longer than most ship's sail. The 990-ft long ship itself is 62 years old, having been first commissioned back in 1952. While she remains silently moored at Philadelphia (for 18 years, since 1996), she has long been a ship of rumor, plans, revitalization projects. The very latest include moving the liner to Pier 7 in Brooklyn Heights, in fact just north of the Brooklyn-Red Hook Cruise Terminal. Brooklyn itself is busily redeveloping the former Port Authority freighter piers as parks, promenades, marinas, shops, restaurants & hotels. Plans and preliminary studies to bring the onetime Blue Ribbon champion to Brooklyn were said (according to some good sources) underway as of last summer. Earlier, in the late '90s, there were – among a boatload of ideas – ideas of bringing the ship to Pier 1 in Brooklyn and also of berthing her in the former Brooklyn Navy Yard (which would include moving her twin funnels, placing them on a barge and then towing her under the Brooklyn & Manhattan bridges – and afterward re-installing those mammoth funnels). Other current ideas for the 53,000-tonner include mooring her in Chester, Pennsylvania, near the former Sun Shipbuilding Shipyard, and making her over as a casino & complex of restaurants. On the reverse side, there were reports in 2013 that the liner would go for scrap – either in Philadelphia, at Chester or Bordentown in nearby New Jersey or, following a long tow, at Brownsville in Texas.

​ Heard Along the Boat Deck: THE LATE, GREAT “NORWAY”

Cato Christensen was staff captain, between 1999 and 2001, of one of the greatest ocean liners of all time, the Norway. She was the world’s first mega-cruise liner, the longest passenger ship afloat for many years and was, of course, the illustrious France in her previous life. As Captain Christensen sat together in the warm, blue waters of the Eastern Caribbean, aboard the Crystal Symphony, we recalled the greatNorway. Her last remains had been chopped-up by scrappers out in India just the month before, in October 2008. The Norway had been around for 43 years, since her initial commissioning as the pride of the French merchant marine in late 1961.
“As the Norway, she still had this great ambience. It was very special. She had a different feeling than other ships,” recalled the Captain. “There was history, even great history, in the walls. Even in some of her public rooms, such as the Club International, there was a special tone. Simply, she was like no other ship.”
Built at St Nazaire in western France for the final years, the twilight, of the great and grand North Atlantic run, the ship as built as the France carried 2,000 passengers --- 500 in fancy, upper-deck first class and 1,500 in tourist class. She had vast public rooms, an array of luxurious penthouses & suites, a chapel and dog kennels complete with miniature New York City fire hydrants. While her food was often said to be beyond compare and coupled with the finest wine cellar at sea, even the dogs had menus while the dog biscuits were specially made. She sailed for about 9 months of the year on regular relays between Manhattan’s Pier 88, Southampton & Le Havre; for the rest, she cruised --- to the Caribbean, the Mediterranean, Carnival in Rio. In 1972 and ’74, she also made winter cruises around the world. But, as passengers declined, her operational costs rose and while the French Government pulled the plug on her operating subsidy, the France was decommissioned in October 1974. For almost 5 years, she sat idle, at a backwater berth near Le Havre, and just waited. She might even have been scrapped. But Norwegian Cruise Lines bought her in ’79, gave her a costly $150 million makeover as a cruise ship and then introduced her as the Norway in May 1990. Her new role: weekly 7-night cruises from Miami to sun-filled ports in the Eastern Caribbean. “The Norway was strong and solid, and built like very few other ships,” added Captain Christensen. “Her watertight doors, for example, could be individually operated and closed in 30 seconds. They were so advanced for a ship designed in the ‘50s and built in the early ’60. Although the forward engine room had been removed by NCL, she had her original steam turbines. But I think Kloster [then the owner of NCL] regretted not converting her to diesel during the big refit in ’79-80. She was, of course, quite a different ship to handle and to experience. She had delayed maneuvers. There were 45 second delays. It was always quite an experience to handle this 1035-foot long ship in, say, the Miami turning basin.”
“But she was a great ship to the end,” continued the Captain. “Of course, we needed extra staff in the engine room because of those steam turbines. The crew liked, but mostly loved her. They felt, quite rightfully, that she was a ship of history. They worked extra hard to make her work. We had one man continuously painting, for example, in the galley just to keep it looking spotless and fresh. About 85-90% of the crew always returned to her. Her US Public Health Scores were sometimes on the edge before her age and we’d always lose 2 points just because of that. Most of Deck 5 was still original, for example, and so were many of the suites. In the Captain’s office, there was still a button on the desk that connected directly to the pantry for instant service. As Vice Captain, my cabin had been the ‘dog house’ when the ship had a large kennel. The kennels themselves and that New York City fire hydrant were gone, however. By 2001, we still had great passenger loads and lots of repeater passengers. One guest came with his butler and had a big suite for 4-6 cruises at a time. But once the butler sent the chauffeur & the car off, but with all the luggage as well. So, the chauffeur had to fly to the first port of call, to St Thomas, with the luggage and the clothes.”
The Norway had a serious boiler explosion at her Miami berth in May 2003. Six crew members were killed and others seriously injured. “NCL lost almost all interest in her after the explosion,” concluded Captain Christensen. “Star Cruises, the new, Malaysian parent of NCL, lost interest as well. Everything actually changed with Star. The mood was different. There was no chance of seeing her getting expensive repairs and returning to service. Of course, now it is very sad that she has been scrapped. She should have been saved, possibly as a museum and hotel, and like theQE2 in Dubai. This would have been better. Her steel hull was still so strong. It was 2 inches thick below the waterline. We once had a problem undocking. Bit in the end, there was more damage to the pier than to the ship.”Photograph, by Luís Miguel Correia, of PORTUSCALE CRUISES AZORES arriving Lisbon on 13 September 2014. Further interest in readingthe FRANCE and NORWAY story? Get your copy of L.M.Correia and Bill Miller's book on the FRANCE / NORWAY, available for purchase here....
Texto e imagens /Text and images copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Tuesday, August 26, 2014

128 malas, 4 cães e 1 criado

A Baronesa de Rothschild que faleceu recentemente tinha um sentido prático notório ao viajar apenas com o indispensével em termos de bagagem, como se depreende da legenda que o meu amigo Bill Miller fez para esta imagem do NORMANDIE no porto de Nova Iorque.
Bill Miller writes: "A friend once told me that when he visited the exquisite Normandie -- said to be most glamorous Atlantic liner of her time --- in the winter of 1939, he came across the Baroness Rothschild. She was sailing with her own servants, 4 dogs and -- in something of a record even for the stylish." French Line -- with 128 pieces of luggage.
Texto e imagens /Text and images copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Tuesday, July 29, 2014

Bill Miller's post card from Manhattan

Mais uma pequena colaboração do meu amigo Bill Miller sobre os antigos terminais de navios de passageiros do porto de Nova Iorque e o seu aspecto actual.
"Looking east from Weehawken, we can see the original Luxury Liner Row, the longtime base of the greatest and some of the grandest Atlantic liners.​ I snapped this photo just six weeks ago.​
​But now to memory lane: The attached photo dates back to 54 years, from January 1960, of Luxury Liner Row. ​​At the top, the HOMERIC is being undocked & heading off on a Caribbean c​ruise; at dock from top to bottom are the GRIPSHOLM, OCEAN MONARCH, ITALIA, QUEEN ELIZABETH, MAURETANIA & BERLIN". 
Texto e imagens /Text and images copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Wednesday, July 09, 2014

ORIANA photographed from fleet mate CANBERRA


Bill Miller tells us: It was just before dinner.   The date:  October 1980.   I was aboard the Canberra, returning from a cruise to Southampton.   Almost without warning, her fleetmate Oriana swept past at rather high speed.  We were in the Bay of Biscay and it was the last meeting of the two great P&O liners in Northern waters.   The Oriana was heading for Australia, where she would be based full-time at Sydney for Pacific cruising.
Texto e imagens /Text and images copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Wednesday, July 02, 2014

NEW YORK Pier 40

When Pier 40 at West Houston St in lower Manhattan opened in March 1963, it was innovative - inner-core parking, advanced handling methods for passenger​s​ & cargo and, most of all, the capacity to handle three, even four ships at one time with three-sided berthing. Holland America, moving over after nearly a century across the Hudson in Hoboken, was the principal tenant. 
Unfortunately, Pier 40 had less than a dozen years of commercial use -- the Port was changing, there were fewer & fewer ships and the likes of Holland America went north, to Piers 88, 90 & 92, to 
​the ​new Consolidated Passenger Ship Terminal. 
These days, Pier 40 is up for renewal as a combination sports center, art museum & parking garage.  In the attached views: I snapped 800-ft long Pier 40 on a spring afternoon in 2010; the older, earlier view shows Holland America ships at dock some forty years ago, in 196​3 (a busy day indeed -- the Rotterdam, Statendam (on the outer side), Westerdam & the freighter Kinderdyk).​
Texto e imagens /Text and images copyright Bill Miller. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Tuesday, June 10, 2014

The ANCHOR LINE Indian Run

Bill Miller writes about the old Scottish steamship company Anchor Line, of Glasgow:
"The smell of curry!  "They were said to be the best kept, most immaculate passenger ships using the port of Liverpool in the 1950s & '60s," said Mike McDougle, who served aboard Britain's long-gone Anchor Line and aboard the Company's three, 11,000-ton passenger ships, the Caledonia, Cilicia & Circassia, which carried up to 300 one-class passengers each.   "We were on the Indian run – sailing by way of Gibraltar, Port Said and the Suez Canal to Karachi and, the final stop, to Bombay.   We carried very few tourists actually, but mostly government people, lots of the old colonials, businessmen, tea merchants and Indians including the occasional maharaja.   Those Indian princes traveled with entire entourages that occupied as many as a dozen cabins onboard.   One royal, I think it was the Maharaja of Rawalpindi, had a stateroom just for his pet falcon."
"These Anchor liners were famed for their cuisine," added Mike.   "They had all-Indian galley crews that prepared the most wonderful curries.   Just having, say, lunch aboard at Liverpool was a treat.   Anchor Line food was equal to the finest Indian restaurant.  Anchor was also noted for its exceptional maintenance and shipboard care.   Everything, even the engine room, was in pristine condition.   Even though these ships were over 20 years of age, it was as if they'd just left the shipyard."

Luís Miguel Correia end note: In Portugal the Companhia Colonial de Navegação had an unofficial link to Anchor Line in two ways: 
In 1929 CCN purchased from Anchor Line the liner ASSYRIA and as the COLONIAL she served under the Portuguese colours until sold for breaking up in 1950.
 Then at the end of WW2 an agreement between the Governments of Portugal and Great Britain gave priority to the building of merchant ships in British yards for Portuguese owners. CCN ordered two fine 13 000 grt passenger liners from John Brown of Clydebank, the PÁTRIA, delivered in December 1947 and the IMPÉRIO, delivered six months later while the rival Companhia Nacional de Navegação (CNN) ordered two passenger motor ships of similar size but of more modern design from Newcastle yards, the sisters ANGOLA and MOÇAMBIQUE. 
The CCN pair was built and delivered one years in advance of the Nacional sisters mainly because instead of designing the PÁTRIA and IMPÉRIO from scratch, original plans developed by John Brown for Anchor Line before WW2  were used and adapted to Cia. Colonial requirements. This saved a full year and in fact The Colonial sisters were very similar in terms of exterior design to the Anchor final three passenger liners.
Built for the Lisbon-East Africa passenger and mail service, the PÁTRIA and the IMPÉRIO only made one voyage each homebound by Suez, the IMPÉRIO in the 1950s and the PÁTRIA in 1962 when she sailed from Mozambique for Karachi and then home to Lisbon. 
Further to the official mail service, the Portuguese liners also cruised from time to time and also used to embark in Cape Town and Durban tourists from South Africa for the round coastal trip up to Mozambique and back, using the first class cabins alloted to passenger from Angola and left vacant after the ships sailed South from Moçamedes. 
There was always a group of South African cruise passengers aboard when the ships sailed the Indian Ocean and often there was occasion for romance between young Portuguese ship officers and S.A. pretty girls, some giving way to weddings.
Texto e imagens /Text and images copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Thursday, June 05, 2014

Bill Miller lecturing on the QUEEN VICTORIA

Tuesday, June 3rd At sea: Cool breezes on the starboard side! Interesting diversion & added treat as Cmdr Rynd narrates a morning sail with the QUEEN VICTORIA hugging the Cornish coast and noting at least half a dozen lighthouses – with evocative names like Lizard, Wolf Rock and Eddystone. 
Off to sea! John Jones was a mere boy of fifteen when he walked into the huge and very grand Cunard Building in his native Liverpool. "A man that seemed to be 10 ft tall took me to a room, placed me against a wall and measured my height. Happily, I was just tall enough," recalled John. "I was soon off to training school and then assigned to the SCYTHIA, then 30 years old and sailing on the Liverpool to Quebec City run. I earned 7 pounds a month or 5p an hour. I was given a crimson uniform and pillbox hat and off I went. After that, I had to buy my own uniforms from a London tailor on Saville Row. We were said to be the youngest seamen in the British merchant navy and, as a group, we slept 10-12 to a room. We ran errands onboard, delivered telegrams and other messages, helped in the purser's office and sometimes sat and chatted with passengers, especially ladies in first class, who were traveling alone. One grand lady once had 4 bellboys sitting at her feet!"
John was soon posted to another veteran Cunarder, the FRANCONIA. "She went aground in the St Lawrence, near Quebec City [July 1950], and then needed weeks of repairs. Many of the crew took jobs in the Chateau Frontenac Hotel to stay busy, but mostly to earn extra money."
Afterward, John became what he called a "gypsy". He served with Canadian Pacific, aboard the EMPRESS OF CANADA & EMPRESS OF FRANCE, with Pacific Steam Navigation and their REINA DEL PACIFICO & REINA DEL MAR, on the troopship EMPIRE CLYDE and on the migrant ship GEORGIC. "While with Cunard, I was something of one of those 'Cunard Yanks,' bringing home clothes, food and records from New York. We'd all go to Macy's and Woolworths. We also went to the Market Diner on 12th Avenue & 52nd Street and where the third drink was always free for seamen. We had lots of colonial-type passengers on the West Coast of South America run of the REINA DEL PACIFICO & REINA DEL MAR plus lots of businessmen. It was still three-class and I recall that first class was really too quiet, even too dull, and so these rich, well-dressed passengers would often march down to more casual, fun-filled tourist class in the evenings. Aboard the Empire Clyde, we carried troops, guns and military equipment for the planned British invasion of Egypt in 1956. And as for theGeorgic, which still had damages from being bombed and set afire in the War, she was said to be the 'roughest' passenger ship in the entire British fleet. She was really not fit for regular passenger service. Regular Cunard crews did not want to sail aboard her and sometimes there were too few crew. It was said that Cunard would go to prisons in and around Liverpool and gather-up minor criminals to serve onboard. These crew members were known to cause problems such as brawls and problems with the police in ports of call. They once called a sudden strike in Cape Town and would not re-board the ship, and at another time the ship itself was actually banned from Australian ports. When I served aboard the GEORGIC, we carried 10 pound Poms, those British migrants out to Sydney. Then we sailed up to Malaya, carrying Australian troops. Then it was to Viet-Nam and a charter to the French. We carried troops and evacuees out of troubled French Indo-China. The troops were a rough lot that included wounded, diseased and some hired Africans. We delivered them on a long, hot voyage to Algiers and then to Marseilles."
John was also posted to another Cunarder, the freighter ALSATIA, which was on the London-New York run. "We went, in the dark of a late night, to the rescue of the sinking American freighter FLYING ENTERPRISE. She was foundering off the British coast. We were ready with blankets, medicines and lots of hot soup."
John was soon back to passenger ships by the mid 1950s, however. He continued to be that "gypsy" and sailed aboard Shaw Savill Line, Union-Castle, New Zealand Shipping Company and the exotic Booth Line. At Shaw Savill, he sailed in two of the Company's oldest if smaller liners. "The MATAROA & TAMAROA, used on the long New Zealand run, were two of the oldest and slowest passenger ships in the British fleet by then," he recalled. "It took six weeks to go from London to Auckland via Curacao and the Panama Canal. Occasionally, we'd stop at Pitcairn Island to land supplies and mail. The locals, who were expert rowers, would come out to the anchored ship in open boats. They were very spiritual people. Once, these open boats were caught in a fierce, tropical storm. They all continued to row as they sang hymns. After arriving in New Zealand, we'd stay in local ports for six weeks, mostly loading lamb to be brought back to England. I made extra money by working as a temporary docker. But once I missed the ship and was taken to jail as a deserter. The jail for 2 nights was awful – a straw mattress for a bed and meager rations for food. After I was freed, I was flown – and under police guard -- to the South Island to rejoin the MATAROA. I was taken aboard, brought before the captain and fined a week's pay plus the cost for the jail, police and plane ride. I returned to London with no money – not a penny!"
John also served aboard Union-Castle's BLOEMFONTEIN CASTLE, an all-tourist class ship designed purposely for immigrants and low-fare travelers. "We carried lots of British migrants going out to Rhodesia, but also stopped in Rotterdam and collected Dutch & German migrants as well. Often, they were very poor people. When we'd reach Africa, on their last day onboard, they'd steal food from the dining room. They had no money for food for even their first days ashore."
Aboard London-based New Zealand Shipping Company, John served on the 21,000-ton RANGITOTO, which carried over 400 passengers in all one-class quarters. "NZ Shipping, as it was called, was said to be a cut above Shaw Savill," he remembered. "Their ships were faster and more comfortable."
The Booth Line, also British, maintained an unusual service – across the mid Atlantic from Liverpool to the Caribbean and then 1,000 miles up to the Amazon River to Manaus. He sailed aboard that Company's passenger ships: the HILARY, HILDEBRAND & HUBERT. "These voyages along the Amazon were hot, steamy, thickly humid. The crew would often sleep on deck. Below, if you opened a porthole, insects of all sizes and types would come flooding in! The ships' navigating officers had to be very careful because of submerged rocks and floating logs in the River. Once, we bent the ship's only screw and then limped to Manaus. There was no shipyard in such a remote place and so two Brazilian divers were hired to make repairs. They carved away some of the twisted steel but which actually made the ship faster than before. The chief engineer was more than surprised – and pleased! We carried businessmen, traders and sometimes even a few tourists in first class and missionaries, medical people and teachers in tourist class. The crew often bought parrots and birds in Manaus and then brought them home to Liverpool. Myself, I bought a little Cayman, kept it in my cabin, but then discovered it didn't like colder climates. Soon after landing in Liverpool, I gave it to the Chester Zoo. Liverpool customs were easy in those days. Give them a few pounds and almost anything could be brought in!"
By the early 1960s, John was to go to another passenger ship, the APAPA of Elder Dempster Lines and serving on the Liverpool-West Africa run, but was hired – and almost at the last minute – by Lockheed Aircraft's Liverpool plant. "I was sent for training and became a skilled craftsman – making precision aircraft parts. My life as a seamen – of working 10 hours a day and 90 hours a week – was wonderful, a great education in itself, but it was then over."
Pass the salt! Dinner tonight with Ronnie Keir, a longtime Cunard friend & Chief Engineer of the QUEEN VICTORIA. Expectedly, he has huge knowledge about liners & has a great regard and interest in ships of the past. And being from Scotland, he has special interest in ships & shipbuilding on the historic River Clyde.
Photo: The RANGITOTO, one of New Zealand Shipping's big, 21,000-ton combo passenger-cargo liners, seen at Melbourne.
Texto e imagens /Text and images copyright Bill Miller (Edited by L.M.Correia). Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Thursday, April 03, 2014

LINERS, LINERS EVERYWHERE!

LIVES OF THE LINERS: LINERS, LINERS EVERYWHERE! - It took 2 years to plan the 7-liner departure and, despite the coming & going of English rain, it was a huge success. 15,000 passengers disembarked that morning & then 15,000 boarded that same afternoon ... with an estimated combined 60,000 suitcases being handled in the process. Of the 7 P&O liners, 5 had actual berths at Southampton and two, including me being aboard the smallish Adonia, were relegated to temporary "terminals" -- a tented dockside affair for us, in fact. Our 700 passengers actually did disembarkation at a soccer stadium outside Southampton, checked our bags & then we were bussed to the ship itself. 
With the additional likes of all-day provisioning, refueling and the quick movements of tugs & line handlers, the 7 liners sailed from their respective berths at 10 min intervals and then formed a procession in Southampton Water and along the Solent before "breaking ranks" off Portsmouth. Princess Anne, the Princess Royal, reviewed the fleet from the decks of the lighthouse tender Patricia and often while sheltered herself under a large umbrella. Forget the erratic rain, it was indeed an exciting & special day. Never before have 7 large liners departed in such prompt & orderly progression. 
Grand memories of the ships such as the Rawalpindi, Viceroy of India, Stratheden, Himalaya, Chusan, Arcadia, Iberia & of course the Canberra. And after the full merger with the Orient Line in 1960, added great liners such as the Orcades, Oronsay, Orsova & Oriana. Happy 175th birthday (in July 2012) to P&O. Texto e imagens /Text and images copyright Bill Miller. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Thursday, January 09, 2014

American Export Lines' CONSTITUTION and INDEPENDENCE

Lives of the Liners: Wedding in Monte Carlo (By Bill Miller): When, in early 1956, American Export Lines heard that Hollywood film queen Grace Kelly was flying to Nice for her fairytale wedding to Prince Rainier of Monaco, my old friend, the late Fred Sarver was dispatched to Philadelphia to meet the mother of the bride & offer her 50 free tickets onboard the CONSTITUTION, which would be specially diverted for the bride & wedding party to a stop in Monte Carlo. 
Mrs Kelly hesitated, waited, took overnight and then wanted 100 free tickets. Fred and American Export settled on 75 and so Grace Kelly sailed off to her much publicized wedding that April. The 1,000-passenger CONSTITUTION was on the cover of every newspaper & magazine in the world.
“Grace Kelly was, of course, the most publicized passenger when she sailed on the CONSTITUTION for her wedding in Monaco to Prince Rainier in April 1956,” added Herb Maletz, a onetime comptroller in the Export main office along New York City’s Lower Broadway. “The ship was especially diverted to Monte Carlo just for her, her family and the American wedding party. Of course, we carried lots of reporters on that trip as well” John Scott remembered, “I was serving aboard a US battleship that made a courtesy call to Monte Carlo in 1957, the year after their much publicized wedding. “Prince Rainier & Princess Grace were coming aboard. Just before, the officer of the watch announced over the address system: ‘All hands on deck to welcome Princess Grace & Prince Reindeer’!”
“On several occasions, we also had Ibn Saud, the King of Saudi Arabia,” added Herb Maletz. “He would usually arrive or depart in Casablanca. He was an extraordinary passenger. He gave $1,000 tips and gold Rolex watches to the staff. Hassan II, the king of Morocco, crossed to New York in 1962 with an entourage of 100 aboard the CONSTITUTION. He and his party occupied all the suites and some first class staterooms. They had lots of trunks, gifts for the staff and were transporting a pony that to be a gift for little Caroline Kennedy. The captain was presented with a token of appreciation: a sword with a case emblazoned with hundreds of diamonds, rubies and emeralds.”
The Independence and CONSTITUTION also carried great numbers of Catholic clergy, businessmen, tourists and westbound immigrants. In 1962, tourist class rates for the 9 nights to Naples started at $289, in cabin class at $334 and in first class from $421. A 44-night mid-winter Mediterranean cruise was priced from $1245.
The Atlantic liner business began to collapse, however, soon after the first crossings on commercial jets in the fall of 1958. By the early ‘60s, the airlines had over 95% of all traffic. The INDEPENDENCE and her sister lost money, then lots of money. Even a last-ditch attempt at inexpensive cruising ($98 and up for a week to the Caribbean, but minus food in the dining room) failed. The two ships were laid-up in 1968 as American Export pulled out of the passenger ship business altogether. Amidst rumors that included sales to the Chandris as well as the Lauro lines, the two ships sat idle for six years before C. Y. Tung, a Taiwanese shipping tycoon and who liked older, out-of-work passenger ships, bought them but for uncertain roles. Fuel oil prices had tripled in 1973-74 and so it was not an especially good time for big, oil-hungry, steam turbine-driven liners. For the next six or so years, the Independence and CONSTITUTION were moored in quiet backwater bays near Hong Kong. By 1980, however, Tung had foresight. Filling a void left by the old Matson Line passenger ships, the INDEPENDENCE was refitted, re-flagged as an American ship (she had changed to Liberian registry in 1974 as the Oceanic Independence) and entered 7-day, inter-island service out of Honolulu. The CONSTITUTION followed two years later.
The INDEPENDENCE & CONSTITUTION sailed almost always at Noon ... and I can just "see" one of them coming down the Hudson as they passed Hoboken at about 12:15. They had a great stance, a sense of power, ocean liner majesty about them!
This photo, from January 1997, shows the CONSTITUTION laid-up at a Portland, Oregon shipyard; months later, in November, she would "mysteriously" sink while empty, under tow & on the way to Far Eastern scrappers.
Sometimes one of the Italian liners was sailing from the same berth, Pier 84, at the foot of West 44th St, or the UNITED STATES or the AMERICA was going from adjacent Pier 86. It was usually at 12 Noon -- and what a sight, memory, those thunderous whistles, the streamers, the happy crowds & of course the Moran tugs. Three liners at the same time! It was just magic!
Texto e imagens /Text and images copyright Bill Miller. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Friday, September 27, 2013

GRIPSHOLM and KUNGSHOLM

Bill Miller recalls two handsome Swedish passenger liners and cruise ships I knew so well in the nineteen sixties and up to 1975: "The Swedish American Line had a glorious reputation: first rate service, food & ambiance. And of course they offered the most wonderful, long cruise itineraries. Their two ships, the GRIPSHOLM of 1957 & KUNGSHOLM of 1966, were thought to be much like "large yachts". The GRIPSHOLM, for example, carried only 450 passengers (out of a total of 842 berths on normal crossings) on her cruises -- and then with 450 handpicked crew. 
The two ships rarely met ... but on occasion, they did call in the same port. Here's a view from Copenhagen in 1972."
Texto e imagens /Text and images copyright L.M.Correia. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Monday, August 05, 2013

Liners to Australia

GALILEO and MARCONI: Lloyd Triestino 1963 twins

"The Galileo & Marconi were the ultimate Italian liners on the Aussie run," according to Sydney-based Keith Hickey. "I had my first meal aboard in the early '60s. Italian food was then still very exotic in Australia. I had spaghetti as a starter. I remember it being hard to eat. I had to be very neat and very exact. I also remember that the menu was in Italian and in English. These ships had lots of outdoor decks with great pools. They were better than any of the other Italian rebuilds, which were second in popularity. Chandris was popular as well, but in third place. For Australians, it was noted to go to Europe in tourist class on Lloyd Triestino, but return home in first class and avoid the Italian, Greek and other Mediterranean migrants."
The NORTHERN STAR and the SOUTHERN CROSS

"The Southern Cross was the great fore-runner of modern design in big liners. She had her funnel placed far aft and that allowed for open mid ship passenger space. Engines aft was the future," remembered Keith Hickey, an Australian ocean liner enthusiast. "The Southern Cross was already big news when she was launched at Belfast in 1954. The Queen especially went there, flying over from Scotland, for the naming. Every detail was typically planned, as I remember. But there was too much low cloud and the royal flight was delayed. The launching was set for an exact time. Everything had to go as planned. But then everyone was worried about the Queen. In the end, the Queen and her entourage arrived just 15 minutes before the launching. It all went as planned. It was, in fact, the first ship launched by the Queen as Queen."
"The Southern Cross was novel for her time -- she was all-tourist class. Passengers in a single cabin were the same as those in a 6-berth. She was well ahead of her time. She even looked very modern, very contemporary. She had a light violet hull and green upper works at first. She actually looked bright, even tropical. She carried no cargo whatsoever and was a first even for that. She was the very best ship of her time for migrants and low-fare roundtrippers." She went on to several other lives. in 1973, she was sold by Britain's Shaw Savill Line to be rebuilt as the Greek cruise ship Calypso for the shortlived Ulysses Line. In 1980, she joined Western Cruise Lines and became the Azure Seas. In 1992, she changed again and for the last time to Ocean Breeze, continuing to operate for owners such as Admiral Cruises, Dolphin Cruise Lines and finally Imperial Majesty Cruise Line. She had a good, long life -- lasting 48 years until sold to scrappers in Bangladesh and then being broken-up in remote Chittagong in the fall of 2003. Yesterday's photo showed that 20,200-ton liner berthed at San Pedro, in the Port of Los Angeles, as the Azure Seas. I did a 4-night trip on her to Mexico in February 1990.
"At the Shaw Savill Line, the Northern Star of 1962 was a larger, slightly improved version of the Southern Cross of 1955. The Northern Star actually replaced the Dominion Monarch, an old veteran that dated from 1939. TheNorthern Star was named at her launch by the Queen Mother and had lots of publicity in her maiden year. But she was always a tender ship, however. She had mechanical difficulties from the start as well. It was even rumored that she was almost lost during her sea trials in the North Sea. From the beginning, she never had the popularity of the Southern Cross. She may have been bigger and an improvement in ways, but the Northern Star never had the right feel."
The 24,733-ton Northern Star was never a lucky ship -- she had constant mechanical problems, breakdowns, cancelled cruises, bad press and seemingly a continuously unhappy crew. Consequently, she had one of the shortest careers in all ocean liner history -- she lasted only 13 years! In November 1975, she was prematurely delivered to scrappers on Taiwan. No one it seemed wanted her. In early 1976, she was demolished. She is seen in the attached photo in March 1972 at Melbourne.
Texto e imagens /Text and images copyright Bill Miller. Favor não piratear. Respeite o meu trabalho / No piracy, please. For other posts and images, check our archive at the right column of the main page. Click on the photos to see them enlarged. Thanks for your visit and comments. Luís Miguel Correia

Friday, July 19, 2013

Reservations But Without Passengers


In 1962, Italian Line's veteran Vulcania, a classic liner dating from 1928, set off from New York's Pier 84 with each of 8 suites booked. But there were no passengers. The suites were used instead for the costumes & dresses being sent to Rome for use by Elizabeth Taylor in the epic film Cleopatra. It might have been the only time in Atlantic liner history that fares were paid but no travelers were present.
This photo comes from the late Vic Scrivens, through Richard Turnwald. Text and phot sent by Bill Miller.